Former Members Biographies
(in order of departure)
David Wakefield, horn (1976-2014)
David Wakefield joined the American Brass Quintet while he was still a doctoral student at The Juilliard School. A member of the Aspen Music School faculty since 1976, the Juilliard School faculty since 1987, and the Hartt School since 2011, he also served as Senior Associate Dean for Performance Activities at Juilliard. He has premiered over 250 new works and collaborated closely with such composers as Milton Babbitt, Luciano Berio, Elliott Carter, John Corigliano, Jacob Druckman, Eric Ewazen, George Tsontakis, and Charles Wuorinen.
Raymond Mase, trumpet (1973-2013)
Trumpeter Raymond Mase is the longest serving member of the ABQ and is responsible for many of the ABQ's performance editions and recordings of 16th-, 17th-, and 19th-century brass music. He is currently principal trumpet of the New York City Ballet Orchestra and is Chair of the Brass Department at The Juilliard School. He is a member of the Aspen Music School faculty, and has served on the Board of Directors of Chamber Music America.
Chris Gekker, trumpet (1981-1998)
Chris Gekker is currently Associate Professor of trumpet at the School of Music at the University of Maryland, having previously served on the faculties of The Juilliard School, the Manhattan School of Music and Columbia University. He was a member of the American Brass Quintet for eighteen years, as well as principal trumpet for the Orchestra of St. Luke's. His Articulation Studies (now in its third printing) and 44 Duos are available from Colin Publications.
Robert Biddlecome, bass trombone (1963-1991)
Robert Biddlecome replaced Gilbert Cohen (founding bass trombonist) and shortly afterwards was offered the bass trombone position with the NY City Ballet Orchestra. With the fourth longest tenure in the history of the group, he may be heard on more than thirty recordings with the ABQ, and it was during his time that the ABQ began its ongoing commissioning program, made its first recordings, made its first international tours, started the Aspen and Juilliard residencies and became recognized as the premier brass ensemble that it remains today.
Ronald Borror, trombone (1977-1983)
Recently retired as Professor of Trombone at Hartt School, Ron Borror is also former associate principal trombone of the New York City Ballet Orchestra, former member of the New York Cornet and Sackbut Ensemble, Parnassus, and the American Composers Orchestra. His solo recording of music by American composers received high critical acclaim and his album of early 17th century repertoire on the baroque trombone was designated Recording-of-the-Month by Alter Musik Aktuell.
John Aley, trumpet (1978-1981)
John Aley is the professor of trumpet at the University of Wisconsin-Madison School of Music. While with the ABQ, he performed and recorded with such ensembles as Musica Sacra, American Symphony Orchestra, Orpheus Chamber Ensemble and American Composers Orchestra, the PDQ Bach orchestra. During the summer he is an artist/teacher at the Interlochen Arts Camp, Michigan.
Louis Ranger, trumpet (1970-1978)
Currently teaching at the University of Victoria, Lou Ranger has held this position since he left the quintet in 1978. While with the ABQ, Lou enjoyed a successful life as a freelancer performing with such orchestras as the New York City Ballet, the New York City Opera, Radio City Music Hall, the Boston Symphony, the Berlin Philharmonic, and the New York Philharmonic where he was co-principal trumpet. He was also first trumpet with the Musica Aeterna orchestra. He has released a CD entitled The Trumpet Comes of Age: 1940-1980 (with Bruce Vogt).
Herb Rankin, trombone (1972-1977)
Herb was the principal trombonist in the Kansas City Philharmonic, with a background in jazz from his youth in and around New Orleans, LA. Herb moved to NYC for the ABQ and also played trombone in Doc Severinsen's "Tonight Show Band." He left the quintet to become Executive Director of the LA Chamber Orchestra and is now president of The HandeBalm Company.
Edward R. Birdwell, horn (1965-1976)
After his tenure in the quintet, Ed Birdwell went on to become a top level administrator with some of this country's largest musical organizations. These include Seatlle Symphony Orchestra (working with Gerard Schwarz) as Managing Director and Executive Vice President, National Endowment for the Arts as director of the Music Program, former orchestra manager of the Boston Symphony Orchestra, and former Executive Director, Los Angeles Chamber Orchestra.
Gerard Schwarz, trumpet (1965-1973)
Gerard Schwarz was the youngest person to join the ABQ at 18 years of age. Eventually dedicating his life to conducting, Gerard currently serves as Music Director of the All Star Orchestra, Music Director of the Eastern Music Festival in North Carolina and Conductor Laureate of the Seattle Symphony. He was appointed co-principal trumpet of the New York Philharmonic Orchestra from 1972 to 1975 and was the first wind player to win the Ford Foundation Award which enabled him to commission a trumpet concerto from Gunther Schuller.
Douglas Edelman, trombone (1970-1972)
Bio to come
John Eckert, trumpet (1965-1970)
The only ABQ member to have a successful dual career in both the classical and jazz idioms, when John Eckert joined the ABQ he was also the lead trumpeter in two big bands: the Buddy Morrow Orchestra, and the Maynard Ferguson Orchestra. Playing with such names as Lee Konitz, Toshiko Akiyoshi, Benny Goodman, and Simon and Garfunkel, John is recognized in the book “The Trumpet Kings: The Players who Shaped the Sound of Jazz Trumpet” by Scott Yanow. John is still mainting a successful freelance career in New York.
Arnold Fromme, trombone (1960-1970)
(d. 2008) Arnold Fromme was a founder and the original tenor trombonist of the American Brass Quintet. In 1958, Fromme and trombonist, Gil Cohen, organized a sextet called the American Brass Ensemble, which was the progenitor of the American Brass Quintet. Born in Brooklyn in 1925, he graduated from Juilliard and received his Ph. D. from Columbia University, continuing studies at the Paris Conservatory. He served in the United States Army during World War II from 1944 to 1945.
Arnold Fromme's objectives in founding the American Brass Quintet remain intact. We honor his memory by preserving the original mission of the ABQ: Bridging the gap between modern composers of brass chamber music and audiences and bringing to light music of the past written for the ancestors of our modern instruments.
Allan Dean, trumpet (1964-1965)
Since 1988, Allan Dean has served as Professor of Trumpet at the Yale University School of Music and is currently performing with Summit Brass, St. Louis Brass and the Yale Brass Trio. In the early music field he was a founding member of Calliope: A Renaissance Band and the New York Cornet and Sacbut Ensemble. Mr. Dean was a member of the New York Brass Quintet for 18 years and freelanced in the New York City concert and recording field for over 20 years before joining the faculty of Indiana University in l982.
Richard Happe, horn (1963-1965)
Much in demand as a freelance artist in New York, Mr. Happe appeared with the American Ballet Theatre Orchestra, the New York City Opera Orchestra, the Orchestral Society of Westchester, the Rye Chamber Orchestra, the Band of America, the Columbia Group for Contemporary Music, the Manhattan Woodwind Quintet, the Bennington Composers Conference, Broadway Show Orchestras and other groups. He attended Indiana University, the Juilliard School of Music and the Manhattan School of Music.
Ronald Anderson, trumpet (1962-1965)
Recently retired from Bennington College, Ron Anderson has appeared as soloist around the world and has had numerous trumpet works composed for him. He was the first wind artist from the West to begin teaching, performing and conducting Western music in China, immediately after its Cultural Revolution. He was principal trumpet of the NY City Ballet Orchestra in Lincoln Center for many years. He is the recipient of an M.B. Rockefeller Grant and was a board member of the ISCM and of the Stefan Wolpe Society.
Robert Heinrich, trumpet (1960-1964)
Bio to come
Daniel Cowan, horn (1962-1963)
Bio to come
Gilbert Cohen, trombone (1960-1963)
(d.1985) Gil Cohen founded the ABQ with Arnold Fromme and left the quintet shortly afterward to join the the New York Philharmonic. He became a professor of music at Mannes School of Music, and also worked for Radio City Music Hall and Sadlers Wells Ballet, played for several Broadway shows and numerous television and radio programs. Born in Brooklyn, N.Y., he was a member of the U.S. Army Band during World War II.
Arthur Goldstein, horn (1960-1962)
(d. 2009) Arthur E. Goldstein, was the first French horn player in the quintet. Born in Brooklyn, NY, Mr. Goldstein served in the U.S. Army with the 388th ASF Band during World War II, which included a White House performance. He was a founding member of the Metropolitan Brass Quintet and was on the faculty of Nassau Community College and Hofstra University for 43 years. Mr. Goldstein was author and publisher of the Eric von Schmutzig Series books as well as several horn method books.
Theodore Weis, trumpet (1960-1962)
(d.1987) Theodore Weis was principal trumpet with the New York City Opera Orchestra from 1949 to 1964 and again from 1968 to 1976. He was principal trumpet with the New York City Ballet Orchestra from 1949 to 1976. Beginning in 1976 he moved to third trumpet and became the Assistant Personnel Manager. He was also a founding member of the American Brass Quintet 1960 and remained with the quintet until 1962.